
Vasuki, king of the Nagas, marches south to answer Lord Ram's call. What begins as war becomes the journey that will change the destiny of his people forever.
The first glimpse into the world of Treta Yug — a mythological epic where gods, warriors and forgotten civilisations collide.
Treta Yug is envisioned as a two-part cinematic saga — beginning with the Naga king who joins Lord Ram's campaign, and ending with the warrior who turns south to found a new civilisation.

Vasuki, king of the Nagas, marches south to answer Lord Ram's call. What begins as war becomes the journey that will change the destiny of his people forever.

The war is won. Lanka falls. But while Ram turns north toward Ayodhya, the Naga people turn south — into the forests of Kerala and toward a kingdom yet to be born.
Sacred serpent groves. Forest kingdoms. Marching armies. Ocean storms. The coming war for Lanka. The first film is designed as a mythological world of beauty, danger and scale.

King of the Nagas. Warrior. Ally. Founder. Vasuki stands beside legends in the greatest war of the age — then walks away from glory toward a destiny no one saw coming.
Treta Yug re-enters the Ramayana through characters who stood near history — some remembered, some forgotten, all transformed by the war for Lanka.
Treta Yug is being created through an AI-driven filmmaking process that combines cinematic storytelling, visual artistry and human creative direction.
A mythological saga shaped with the emotional grammar of a major motion picture.
Every environment, character, battle and frame built through a new generation of visual tools.
Technology guided by story, taste, faith, culture and a filmmaker's eye.
The Last Naga. The First King. This is the story that history forgot and cinema will remember.